Every claim here is either backed by a public source you can click, or labeled as a first-person account of rooms I was in. That's the standard I hold my portfolio to. It's the standard I hold information systems to.
A show built to treat social platforms as journalistic sources, launched on a 250-million-household network the night the bin Laden raid broke. The founding team rebuilt the first broadcast overnight and put the man who unknowingly live-tweeted the raid on air, his follower count climbing on screen. The full story.
The streaming-first newsroom where I produced panels years ahead of their policy fights: PrEP six months after FDA approval, trans service members four years before the Pentagon moved. The network's launch era collected the industry's innovation honors while we shipped it live, daily.
Senior Producer on the flagship weekly of the ABC/Univision joint venture through its steepest growth window. Network primetime viewership grew 179% year to date at Fusion's two-year mark, a network-level figure, as distribution hit nearly 40 million households. Full episodes, election specials, and the live Mandela special, produced end to end.
AJ+ was one of the biggest social news video publishers on Facebook back then. I ran a team inside it while its content hit 500 million weekly viewers, reporting that from the inside. My biggest piece, the measles explainer, pulled 50 million views and 40,000+ comments. Here's how it was engineered.
I field-produced San Juan Mayor Carmen Yulín Cruz right after Hurricane Maria hit. Her criticism of the federal response became one of the defining media stories of the disaster. Congress opened oversight hearings on FEMA. Journalism that hit the public record while the water was still standing.
When journalist Ahmed Shihab-Eldin was detained in Kuwait, I joined his former colleagues amplifying the Committee to Protect Journalists' #FreeAhmed campaign alongside IFJ, Amnesty International, and his legal team. He was acquitted on the central charge and released in late April 2026. The story, told carefully.
The production line behind the viral era was also a talent pipeline. Producers I coached from behind-camera roles went on to front their own award-winning work.
Mara Van Ells: Webby People's Voice, 2018, for an AJ+ Holocaust-survivor piece. Yara Elmjouie: Daytime Emmy (Outstanding Lifestyle Program) and Webby honors for Al Jazeera work.